Photo Credit: Global Diaspora News (, World’s #1 Online Multimedia News Provider Devoted to International Diaspora and their Stakeholders. By Courtesy of Dr. Roland Holou. © All rights reserved.
Photo Credit: Global Diaspora News (, World’s #1 Online Multimedia News Provider Devoted to International Diaspora and their Stakeholders. By Courtesy of Dr. Roland Holou. © All rights reserved.

Photo Credit: Global Diaspora News (

Source of original article: Fernanda Canofre / Global Voices (

DJ Rennan da Penha. Image: Screeshot from YouTube/Rennan Da Penha

Rennan da Penha, 24, is a Brazilian funk DJ and the founder of what is arguably Rio de Janeiro's largest funk party. Baile da Gaiola, which means “cage ball” in Portuguese, gathers around 25,000 people in Complexo da Penha Favela every week.

Last week, an appeals court sentenced Rennan for six years and eight months in prison for “association with drug trafficking.” An earlier sentence had deemed Rennan innocent for lack of proof, but the public prosecutor appealed it.

Rennan’s lawyers have also sought court approval for Rennan to remain free while they appeal this newest sentence before Brazil’s Supreme Court. According to Folha de S. Paulo, his prison order is yet to be issued.

The sentencing of this major Brazilian funk celebrity has sparked a debate about racism and the criminalization of funk parties in the country.

@rennan_penha is one of the greatest revelations of the favela of the last few years, a dude that came from nowhere, who became a national phenomenon through FUNK. His prison is political, racist, and bigoted, it attacks FUNK, FAVELA and the rise of someone who came from nowhere and became a giant.

Activist Raull Santiago, who testified in Rennan’s favor at the time of his first sentence, told Global Voices that he was “jumbled with several other people” who had all been charged with drug trafficking association in the same process. During the hearings, Raull says, witnesses accounts’ have shown Rennan had nothing to do with the favela's drug business.

The defense

After Rennan's prison sentence, his friends and supporters put together a website called “Deixa Eu Dançar” (Let Me Dance) where they cite arguments made by the prosecutors and judges and try to debunk them.

For example, the court's sentence says that Rennan's music “exalts drug trafficking”; the website responds by saying that his lyrics merely express daily life in a favela.

A point raised by the prosecution is Rennan's WhatsApp messages, in which he speaks about routes where the police had been wandering lately in Complexo da Penha. The prosecution weighed he was playing the “eyes” for drug lords.

The website argues that this how this is a common type of information to pass around among favela residents, who are often mistreated by the police. Speaking with Global Voices, Raull says that the information is useful for people looking to avoid areas where armed conflict is likely to take place.

One of the latest videos tweeted by Raull shows a police officer shooting aimlessly with a gun and threatening passersby by saying “you’ll be next.”

Another point raised by the judges is that Rennan publicly paid respect to people accused of drug trafficking that were killed. The website responds: “It is not a crime to mourn the death of someone with whom you grew up regardless of the mistakes they might have made in their lives.”

On his file, there is a photo of Rennan posing with a gun. The defense claims the weapon is fake and the photo taken during Carnival. After seeing the image, the first judge of the case dismissed the charges on Rennan, the website states.

The prejudice

Directly derived from Miami bass, funk carioca emerged as a musical genre in its own right in the 1980s in Rio de Janeiro's slums.

Not to be confused with USA 1970s funk, Brazilian funk was originally produced on the cheap, with a limited number of sampled beats and melodies that would show up in nearly every song. Today, funk parties attract millions of people from different social classes in Brazil and drive a multi-million dollar industry.

However, just like samba many decades before it, white elites — and the police and the judiciary — persistently regard the genre with prejudice (yes, samba used to be frowned upon by elites before it became Brazil's national symbol).

There are state and city laws in Rio de Janeiro that recognize funk as part of the state's cultural heritage, but that doesn't seem to have stopped a recent criminalization wave of the funk scene. As Raull Santiago has told me:

Esse processo de condenação é uma situação muito grave, que passa pelo processo de criminalização das favelas, das periferias, da juventude negra, da ascensão das pessoas que vêm desses lugares, que fazem dinheiro, que empregam pessoas. Acho que tem uma questão racial e uma questão da desigualdade e do preconceito histórico implícita nesse processo.

This conviction process is a very serious situation, which passes through the criminalization of favelas, of peripheries, of black young people, and the ascent of the people who come from these places, who make money out of it and employ people with it. I think the racial issue, and the issue of inequality and historical prejudice, are all implicit in those charges.

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